... Far down we can distinguish a line of
field-hands--the whole _atelier_, as it is called, of a plantation--slowly
descending a slope, hewing the canes as they go. There is a woman to every
two men, a binder (amarreuse): she gathers the canes as they are cut down,
binds them with their own tough long leaves into a sort of sheaf,
and carries them away on her head;--the men wield their cutlasses so
beautifully that it is a delight to watch them. One cannot often enjoy such
a spectacle nowadays; for the introduction of the piece-work system has
destroyed the picturesqueness of plantation labor throughout the islands,
with rare exceptions. Formerly the work of cane-cutting resembled the march
of an army;--first advanced the cutlassers in line, naked to the waist;
then the amarreuses, the women who tied and carried; and behind these the
_ka_, the drum,--with a paid _crieur_ or _crieuse_ to lead the song;--and
lastly the black Commandeur, for general."[19]
[Footnote 19: Lafcadio Hearn, _Two Years in the French West Indies_ (New
York, 1890), p. 275.]
After this bit of rhapsody the steadying effect of statistics may be
abundantly had from the records of the great Worthy Park plantation,
elaborated expressly for posterity's information.
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