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Shelley, Percy Bysshe, 1792-1822

"Adonais"

--

where real death is spoken of throughout, in a series of exquisite and
thrilling images, as being real sleep. In Shelley's own edition of
_Adonais_, the lines which we are now considering are essentially
different. They run

'Till darkness and the law
Of mortal change shall fill the grave which is her maw.'

This is comparatively poor and rude. The change to the present reading
was introduced by Mrs. Shelley in her edition of Shelley's Poems in
1839. She gives no information as to her authority: but there can be no
doubt that at some time or other Shelley himself made the improvement.
See p. 33.
+Stanza 9,+ 1. i. _The quick Dreams._ With these words begins a passage
of some length, which is closely modelled upon the passage of Bion (p.
64), 'And around him the Loves are weeping,' &c.: modelled upon it, and
also systematically transposed from it. The transposition goes on the
same lines as that of Adonis into Adonais, and of the Cyprian into the
Uranian Aphrodite; i.e. the personal or fleshly Loves are spiritualized
into Dreams (musings, reveries, conceptions) and other faculties or
emotions of the mind.


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