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"Adi Parva"

It would take many years before the end could be reached.
Other circumstances than death might arise in consequence of which my
connection with the work might cease. It could not be desirable to issue
successive fasciculus with the names of a succession of translators
appearing on the title pages. These and other considerations convinced my
friend that, after all, my view was correct. It was, accordingly, resolved
to withhold the name of the translator. As a compromise, however, between
the two views, it was resolved to issue the first fasciculus with two
prefaces, one over the signature of the publisher and the other headed--
'Translator's Preface.' This, it was supposed, would effectually guard
against misconceptions of every kind. No careful reader would then
confound the publisher with the author.
Although this plan was adopted, yet before a fourth of the task had been
accomplished, an influential Indian journal came down upon poor Pratapa
Chandra Roy and accused him openly of being a party to a great literary
imposture, viz., of posing before the world as the translator of Vyasa's
work when, in fact, he was only the publisher. The charge came upon my
friend as a surprise, especially as he had never made a secret of the
authorship in his correspondence with Oriental scholars in every part of
the world. He promptly wrote to the journal in question, explaining the
reasons there were for anonymity, and pointing to the two prefaces with
which the first fasciculus had been given to the world.


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