On either side
of the road, for a mile before you reached the foot of the hill,
stood tall osage orange hedges, their glossy green marking off
the yellow fields. South of the hill, in a low, sheltered swale,
surrounded by a mulberry hedge, was the orchard, its fruit trees
knee-deep in timothy grass. Any one thereabouts would have told
you that this was one of the richest farms on the Divide, and that
the farmer was a woman, Alexandra Bergson.
If you go up the hill and enter Alexandra's big house, you will
find that it is curiously unfinished and uneven in comfort. One
room is papered, carpeted, over-furnished; the next is almost
bare. The pleasantest rooms in the house are the kitchen--where
Alexandra's three young Swedish girls chatter and cook and pickle
and preserve all summer long--and the sitting-room, in which
Alexandra has brought together the old homely furniture that the
Bergsons used in their first log house, the family portraits, and
the few things her mother brought from Sweden.
When you go out of the house into the flower garden, there you feel
again the order and fine arrangement manifest all over the great
farm; in the fencing and hedging, in the windbreaks and sheds, in
the symmetrical pasture ponds, planted with scrub willows to give
shade to the cattle in fly-time.
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